BERNHARD ROMBERG FLUTE CONCERTO PDF

Cancel Forgot your password? Finding libraries that hold this item In other projects Wikimedia Commons. Privacy Policy Terms and Conditions. The opening theme A is a folk-like melody over a pesante orchestral accompaniment.

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Cancel Forgot your password? Finding libraries that hold this item In other projects Wikimedia Commons. Privacy Policy Terms and Conditions. The opening theme A is a folk-like melody over a pesante orchestral accompaniment.

After one phrase into the B theme, Romberg once again interrupts with a fermata, although this is followed by composed brief embellishment in the flute line. Concerto for Flute and Orchestra in B minor, Op. You may have already requested this item. The return of the A theme is not exact at all. Allow this favorite library to be seen by others Keep this favorite library private.

A return to duple grouping provides the transition to the return of the A theme. This is reminiscent of the bravura style repertoire of Friedrich Kuhlau and Jean-Louis Tulou that was beginning to populate the flute music canon at that time. He clearly understood some of the idiomatic requirements of wind writing. The B and C sections are successively more technically challenging. Bernhard Romberg — Wikipedia Please enter your name. Romberg makes reference to its opening motive but soon after offers new virtuosic passages.

Here the performer would be best suited to emphasize the half note rather than the quarter as the phrasing is very broad. Find a copy in the library Finding libraries that hold this item Please enter recipient e-mail address es. Advanced Search Find a Library. Romberg was born in Dinklage. Write a review Rate this item: Concerto for flute and orchestra, opus 17 Author: This work is a good example of the transition in this genre from the solo-orchestra alteration of new material and familiar themes to the concerto as a vehicle to showcase the prowess of a polished performer with the cincerto for support.

Subjects Concertos Flute — Solo with piano. Retrieved 18 March However, Romberg does not simply write string music for the flute, as was a common approach. This is a seven-part Rondo, which is a bit unusual. If you continue to use this site we will assume that you are happy with it. As compared with the overall duple groups in the A theme, the B section theme contrasts with an exploration of triplet rhythms in sixteenth notes, allowing for longer chromatic scales.

However, formatting rules can vary widely between applications and fields of interest or study. November — d. His father, Anton Romberg, played the bassoon and cello and gave Bernhard his first cello lessons.

Romberg is responsible for simplifying cello notation to only three clefsthe bass clefthe tenor clef and the treble clef. Innovations in cello technique introduced by Romberg include minimizing the then wide variety of clef possibilities to the now standard bass, tenor and treble as well as designing modifications to the instrument to facilitate technique.

The third movement, a Rondo Allegrettois a delight and a dazzling display of technical prowess for the solo flute. More like this Similar Items. The second theme of the exposition opens with a set of fast triplet passages that descend, in contrast with the ascending fanfare of the A theme.

The name field is required. His virtuosity is displayed in his compositional style. We use cookies to ensure that we give you the best experience on our website. In the Flute Concerto he illustrates familiarity with the newly emerging virtuoso writing for violin, possibly due to the direction of one of his teachers, and winds, likely due to the influence of his brothers Anton, a bassoonist and Gerhard, a clarinetist.

Flute Quintet in G Major 1. The section then develops further to a display of scale and arpeggio patterns across a variety of rhythmic groupings. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.

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Romberg, Bernhard

Carol L. Shansky The concerto for flute and orchestra by Romberg is a tour-de-force work that exploits the technical and expressive capabilities of the instrument and foreshadows the later Romantic style. It is his Op. The scoring for strings, two oboes, two horns, two bassoons and timpani are more reflective of the orchestration of Classical-era works, although the presence of the timpani is a more unique addition. Bernhard Romberg was a noted cellist and composer of his time. Innovations in cello technique introduced by Romberg include minimizing the then wide variety of clef possibilities to the now standard bass, tenor and treble as well as designing modifications to the instrument to facilitate technique. Romberg concertized in Europe and demonstrated prodigious talent at an early age.

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Dinklage , November — d. Hamburg , It is his Op. The scoring for strings, two oboes, two horns, two bassoons and timpani are more reflective of the orchestration of Classical-era works, although the presence of the timpani is a more unique addition.

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